L'opéra entre incarnation et représentation. Quelques éléments d'un système poético-politique
Identifieur interne : 000032 ( France/Analysis ); précédent : 000031; suivant : 000033L'opéra entre incarnation et représentation. Quelques éléments d'un système poético-politique
Auteurs : Solveig Serre [France]Source :
- Nouvelle Revue d'Esthétique [ 1969-2269 ] ; 2014.
Descripteurs français
- mix :
- Wicri :
- topic : Répertoire.
- geographic : France.
Abstract
The birth of opera can not be entirely separated from the institution to which it is intrinsically linked. Thus opera is not only a "poetic system" but also a "political" system. This paper shows how, from Lully to Gluck, opera switches gradually to an aesthetics of incarnation in an aesthetic of representation, so that opera achieves its autonomy from the political power. However, this empowerment is permitted for political reasons: it is when the state itself is depersonalized to become representational that the aesthetics of the incarnation is no longer present and that the lyrical genre seems to separate from politics.
Url:
DOI: 10.3917/nre.007.0180
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Main, to step Merge: 000032
- to stream Main, to step Curation: 000032
- to stream Main, to step Exploration: 000032
- to stream France, to step Extraction: 000032
Links to Exploration step
Hal:halshs-01083109Le document en format XML
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<front><div type="abstract" xml:lang="en"> <p>The birth of opera can not be entirely separated from the institution to which it is intrinsically linked. Thus opera is not only a "poetic system" but also a "political" system. This paper shows how, from Lully to Gluck, opera switches gradually to an aesthetics of incarnation in an aesthetic of representation, so that opera achieves its autonomy from the political power. However, this empowerment is permitted for political reasons: it is when the state itself is depersonalized to become representational that the aesthetics of the incarnation is no longer present and that the lyrical genre seems to separate from politics.</p>
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